Making a Prairie Dress

I need to make a Prairie dress for background dress form. I can make one quicker than buying one and having it shipped.  I love doing this kind of work. In the real world of fashion, I have no idea what I’m doing. Meaning, I have no language or vocabulary or official technical training. I just have Grammy’s voice, ” Put it on and pin it in place.” So I start with the bodice.

 

 

Starting a bodice

I  pin the fabric in place and cut a 1/2 inch past the seam marks for seam allowance.

Pinning Darts

I tuck up fabric for darts and pin them for pressing and stitching.

Pinning waist darts

Matching both sides is a good thing. I pin midriff darts the same way as bodice darts. By the way, I can sing along with most show tunes while I work with the dog still wagging her tail, until Julie Andrews comes on. She is the James Brown of show tunes. Meaning, never Karaoke a James Brown or Julie Andrews tune. It will never be a good thing. I need music to work, usually classical, broadway, jazz, celtic, anything stings, or anything Botti or YoYoMa… or Alison Kraus, of course Buble…..ok…. back to dressmaking. I’m glad you can’t hear me belt out Les Mis.

Cutting the waistline

I left fabric long enough to make a decision about waistline shape and placement. That way I will have fabric hanging there for playing. Here I need a traditional look, this is when I have to do what we need me to do and not what I want to do.  So traditional, straight across the waist it is. So I cut off everything except a 1/2 seam allowance for a proper waist. Not fun or exciting but meeting the need of the moment.

 

Tidying up my hand cutting

My amazing hand cutting is not always perfect so I fold the bodice in half and clean it up. Not exactly Project Runway….:)….. I’m told this is Back Alley dressmaking…let’s face it, this is what women did in their homes for centuries before we had Project Runway.

Cutting out a back bodice

Here I am using the front bodice to guide the shape of the back bodice. Armhole needs to be a little wider and an inch on a back seam for the zipper. “Wouldn’t it be quicker to use a pattern?”, I have been asked. Nah.

Completed Bodice

I forgot to shoot the sleeve cutting process. It’s pretty much hand cut roughly as well. But now the skirt… the question is how long should it be? Simple answer, it needs to be longer than the aprons that it will display.  Putting one on will help the measurement process. Once you have a finished bodice, the rest is easy.

Apron determines length

It’s already looking pretty good, I’m inspired to make a matching bonnet….:).. A bonnet with old looking lace. …. not now though…..Now I can see the skirt needs to be cut at 36″. So I cut 2 fabrics widths a yard long each.

Hand gathering

 

I stitch a machine basting stitch but hand gather. I have to hand gather. Nothing beats that. Especially since you want the outside hip area to have less gathers and you can’t adjust like that on a machine.

Hand gathered skirt ready for the bodice

My lovely hand gathered skirt pieces ready for the perfectly prepared bodice.

Stitching the skirt onto the bodice

Stitching the skirt to the bodice is the best seam for me. It’s when I get my first glimpse at what the dress will look like when finished.

Prairie Dress front

I machine stitched a straight hem. And voila! I love it. It’s perfect for what I need.

Prairie Dress Back

Here is a shot of the back. It’s pinned where the zipper needs to go. I will put one in later. (seamstress are laughing everywhere). No one will notice in the photos.

Prairie Dress with Petticoat

Here is the final dress with a light petticoat underneath.

And we are done and ready for pictures!

Thinking of it, this same process may work for the wedding line.

 

Susannah

 

 

 

 

 

 

 

 

 

 

Brides Wedding Aprons

 

I am about to make more Brides Wedding Aprons. We had hoped for a rather lavish wedding photo shoot but now a simple bride with pretty flowers in gorgeous Vermont scenery will do. My issue becomes the wedding dress the model wears. I long to make gowns and miss making them so badly. I tell myself the apron is the focus, not the gown, any gown that is white and pretty would do….. check Salvation Army, used clothing shops, Craigslist. Don’t wrap up your time in making a wedding gown!…..*sigh*… my imagination runs in so many directions and the gown in my mind is beautiful, distinctive and lavish. Maybe I have ADD. It’s not wedding gowns, it’s about Aprons, Susannah! Aprons!

Here’s the photo of our traditional Brides Wedding Apron, upon which we intend to expand.

Brides Wedding Apron

I suppose I could make the apron look like the front of a gown….(she says, compromising with self)

Inspiration and MoMA

I spent an entire day at MoMA. Just me, alone wondering, occasionally ducking into the cafe for another coffee and checking my phone. I love wondering museums. I love turning each corner to see what fills the next group of walls. I love the lighting, the wide spaces and even the little dark creepy spaces. And when I return home, I am filled with renewed energy, the cutting table feels energized and I cant wait to feel scissors in my hand. My fingers scribble sketches at an amazing rate, the mannequins seem to enliven with anticipation of what new thing will come. But then reality comes slowly like the closing of a windows nightly shade. The fabric I see in my head is not in my studio, the yardage I want to cut is not on my table. My moment of enthusiasm is stabilized as the reality is that I must go hunt for fabric first, if I can find what I envision and then secondly hope that my checkbook can handle it…..*sigh*